Yada yada hi dharmasya glanirbhavati suvrata|
Abhyuttthanamadharmasya tada prakritisambhavah||
O keeper of righteous vows, remember this,
Whenever dharma is in decline, Or there is an upsurge of adharma:
The Sacred Feminine will incarnate.
Amish’s Ram Chandra series had its debut with The Scion of Ikshvaku 2 years ago. Fans have been waiting for the release of Sita Warrior of Mithila since then. I do not claim fealty to the fandom, let me confess, I haven’t read The Scion of Ikshvaku beyond a few chapters. I left it alone since I found it dragging in a manner familiar to me from Amish’s The Oath of the Vayuputras from the Shiva Trilogy (don’t get me wrong, I liked the book, the climax even). The slow place was acceptable to me there because it was the end of a series I had so dearly followed. Besides the characters in the narrative had all felt fresh and real. The Scion of Ikshvaku felt like it was merely riding on the fame and anticipation the Shiva Trilogy has caused in its splendor. However, the trailer and the cover of this book did not fail to appeal to my senses. Inspite of that, I began reading Sita Warrior of Mithila with ample apprehension and timidity. And then, the first chapter of the book happened!
After the first chapter I literally closed the book and said, “Amish, you have me hook line and sinker!” In here Sita is a badass! She is a warrior worth her salt. She is intelligent, smart and pragmatic. And yes, she means business! The story revolves around her cause and the means she adopts for it. She constantly reminds you of a modern working woman who has to balance her work and personal life, albeit with a very supportive and understanding partner who shares her goal. It’s a relationship in perfect harmony. *sigh* The story here has a pace, quite comfortable to any reader. The language is simple and comprehensible. But, that’s the thing with Amish! His works are known for the freshness of the plot than decorative language. Though in this case, the language is also overly descriptive and screenplay-ish, which is quite possibly intentional given his eye for detail.
The story here has a pace, quite comfortable to any reader. The language is simple and comprehensible. But, that’s the thing with Amish! His works are known for the freshness of the plot than decorative language. Though in this case, the language is also overly descriptive and screenplay-ish, which is quite possibly intentional given his eye for detail. He subtly touches contemporary debate points like meat-eating and Jallikettu. But fails to make a decisive statement anywhere. At some places, Amish seems to be struggling to defend certain characters in alignment to how we know them from the popular epic, Ramayan. And, throughout the narrative, his politics seems to be diplomatic. I would have loved a little more bravado, but still not complaining.
Amish explains his style of narration in this series as multi-linear, i.e, the first three books will respectively be in Ram’s, Sita’s and Raavan’s perspectives. All these three books start and end at the kidnapping of Sita by Raavan. The fourth and last book in the series will be the conclusive one that’ll take the story ahead and tie everything neatly with a bow. This means that a lot many parts of the story will be repeated in all three books. So, for readers intending to read the books one after the other may be at a disadvantage. But it also means that no matter where you start reading the series, between book 1 to 3, you do not miss out on the story.
Verdict: It is fresh, and fast! This Sita is to watch out for. Ram Chandra series is picking up with this installment of the story. So if you are a fan of the genre, you might not want to miss this.