Very few writers incite in me the urge to reach for their books at the mere sight of their names on the cover and Devdutt Pattanaik is one of them because, according to me, he is the master of retellings. His works, Jaya and Sita have been revelations to me; and The Pregnant King is still one of my favorites. His stronghold seems to be his ability to stay subjectively objective in drawing from mythology what is relevant to the ever changing modern scenario. He is not a puritanist bogged down by the conservative traditionalist. Neither is he dismissive of the western view on Indian mythology. He understands that it is important to stand firmly grounded on the cultural nuances to understand and interpret Indian mythology. So when such a reasonable and learned man shifts his gaze to Greek mythology, and you love reading mythology, you follow suit.
Olympus: The Indian Retelling of the Greek Myths comes to me in my near total ignorance of Greek Mythology, but for a few stories here and there. And, because I read from cover to cover, the Author’s note required atleast three reading of me because I believe that is the most important part of the book. It prepares you for what follows by giving you a briefing as to what Greek mythology came about geographically, politically, socially and culturally. The book is later divided into 8 books each for a Greek God and the mythical stories surrounding them.
Pattanaik, as expected of him, doesn’t stray from drawing parallels between Indian and Greek Mythologies. He finds parallels between characters, incidents, and ideologies. This book, like any good book, has worked up my curiosity about Greek mythology.
Pattanaik’s writing is simple and straightforward as always. The stories are almost journalist and to-the-point and the notes that follow are where he lets his analytical and reasoning brain at work. This is the kind of book you go back to for light reading. The stories are prophetic, pragmatic and sometimes cringe-worthy-all of what is beautifully handled by Pattanaik’s simple language that keeps him an observer and narrator, at a safe distance from all action. I would go as far as calling him a modern day Sanjaya, the commentator of the Mahabharata war to the blind King Dhritarashtra.
P.S. I would love for Devdutt Pattanaik to turn his gaze towards South Indian folklores, which otherwise seem to be largely neglected. Wouldn’t it be wonderful to know his fresh and progressive views on the myths down south?
Verdict: This book is for Greek mythology neophytes and can serve as your crash course in the same.